Everything after the intro is bad. I mean the singing, the pacing, the chorus… everything.

Although this song is going to get a lot of airplay soon, not everyone is a fan. In fact, some of this singer’s musical colleagues had a few not-so-nice things to say about it. "Holy shit. Everything after the intro is bad. I mean the singing, the pacing, the chorus… everything. EVERYTHING. Just bad."

Although this song is going to get a lot of airplay soon, not everyone is a fan.

In fact, some of this singer’s musical colleagues had a few not-so-nice things to say about it.

“Holy shit.

Everything after the intro is bad. I mean the singing, the pacing, the chorus… everything.

EVERYTHING. Just bad.”

And:

“What’s up with the falsetto? What a godawful choice for a big ballad.”

And:

“Unsingable. Unlistenable.”

And:

“It would work… if you took out everything after the downbeat. (BG Note: The downbeat occurs right after the instrumental intro, before the singing starts.)”

And:

“Somebody needs to beg Adele to come back NOW.”

And:

“I will give you $1000 right now if you promise me that I will never have to listen to that song again.”
Ouch.

Sam Smith
Spectre’s James Bond theme – Writing’s On The Wall

Source: http://blindgossip.com

0 0